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Bellydancing Terminology to Prepare you for your Lesson

Here are some terms that you will hear when you experience the one-hour lesson. You may like to print this page off and get to know some of these terms before you attend the event.



ARMS

Hand twirl - twirling the hand at the wrist in a small circle.

Wrist curl - curling hand at the wrist

Elbow curl - curling the arm at the elbow

Peaceful hands - fingers pointing up, hands put together in prayer position.

Vessel - a turned over "peaceful hands", fingers facing the floor.

Unfolding - unfolding hands from whatever position they occupied.


Turning over - turning hands over from whatever position they occupied.

Flick fingers - flicking all fingers in rhythm

Steeple - hands meet together above the head.

Snaking the steeple - A steeple formation is snaked down in front of the face.


Crossing up - from below the hips, cross arms at wrist, keeping elbows high, raise above your head.

Crossing down - from above the head, cross hands at wrist, to drag the energy down.
Arm arcs - both hands meet at the back or front then open out in unison.

Snake arms - arms pretend to be snakes, arms are led by the elbow, snaking through alternatively.

Serpentine arms - Two arms entwining alternately, going up or down, hands become the snakes head using a twirl or wave.

Cobra coils - circle hand above head, coming down through a shoulder roll with a leading elbow curl, followed by a wrist curl.

Sliding under the chin - one parallel hand/arm slides from shoulder to shoulder under the chin, elbows high.

Slinking back - a cobra slinks above and over the head, over the shoulder and through a Spanish frame.

Framing arms - arms frame the body like a diamond. A good starting position.

Spanish frame - framing arm taken past the hips, as in Spanish dancing.

Spanish crown - arms go above the head like a steeple, but hands turn and the backs of the wrists touch.

Crescent - one arm is above the head while the other is around hip area.

Parallel hands / arms- one hand is folded over the other, placed under the chin with elbows high at shoulder level.

Windmill arms - opening arms from a shoulder roll. Creating a windmill motion.

Guiding hand - a hand that leads or guides.

Leading arm or shoulder - an arm or shoulder that leads.

Temple pose - arm are extended over the head with hand stretched outwards, palms facing upwards.

Temple buff - fingers touch the temple area of your head while the other arm extends to the front or side (shoulder height). Either in a stationary position or alternating.

Egyptian arms - L shaped - one arm is above the head & other is out at shoulder height.


SHOULDERS

Shoulder roll - circling the shoulders alternately or one sided in � time, single or double time.

Shoulder press - pressing your shoulders forward alternately.

Shoulder accenting - accenting a beat using a shoulder press - � time (very slow), single time (slow) or double time.

Shoulder shimmies - are shoulder press in single time (slow) , double time (medium) or full time (fast).

Double time - (medium), consisting of 2 movements to a single time beat.

Full time - (fast), Shimmies in full time, 4 movement to a single time beat.

Fast time - (very fast), vibrating shimmies, 6 to 8 movements to a single time beat.


RIBS

Rib rotation - rotating the ribs on a horizontal level

Rib lift - lifting the rib cage

Rib rolls - rolling the rib lift movement.

Side ribs - taking ribs to the side. You can extend side ribs with a Turkish shoulder or you can extent to the extreme.

Rib eights - creating a figure eight with your ribs.


Vertical rib circle
Horizontal rib circle
Rounding your back


HIPS

Side hips (in � time, � time, single time, double time, � time & full time shimmies).

Side hips sharp - movements are sharp & accurate.

Hip flick - hip lift with a sharp flick to the side or up.

Hip lifts - lift heel to lift hip. The emphasis is on the lift & dropping is incidental.

Hip drops - lift heel to lift the hip up, then drop. The emphasis is on the drop & the lift is incidental, 2 counts, 4 counts, 3 counts or � time.

Hip bounces - drops that are small & bouncy, usually in double time or full time.

Hip points - hip drops, as if following points on a compass, either in 3, 4, 8, 16 counts.

2's - two side hip movements to each side.

3's - 3 side hips to one side.

4's - four side hips to one side.

� time - you move 3 out of 4 beats.

Hips descending - hip drops descending, down stairs.

Hips accenting - coming up the stairs from descending.

Hip rotation - rotating the hips on a horizontal level.

Hip twist - rotating one hip at a time.

Egyptian drops - combining small & large hip drops to the beat/ rhythm as required.

Hip sit - hip drop into a sitting position, usually emphasizing a hold or accenting a rhythm.

Egyptian Walk - is basically full time shimmies with a single time walk.

Walk - means the action of a walk, walking forwards putting one foot in front of the other. This can also be accomplished backwards, sideways or around.

Side Shimmies - full time side hips, either earthed feet or raised heels.

Vibrating Shimmies - starts with a peddling your knees motion, take medium/ fast into thighs, creating a vibrating shimmy in full or fast time which vibrates your whole body (as if you are freezing).

Pelvic rock - a basic pelvic floor exercise, to tone your pelvic floor muscles.

Pelvic tilt - a pelvic floor exercise turned into a danceable tilting of the pelvis & hips.

Tilting hips - tilting your hips back & forth as in a pelvic tilt.

Pelvic circles - combining a pelvic tilt with a hip circle horizontal.

Pelvic scoops - scooping in an upward movement with your pelvis.

Hip circles horizontal - a circular movement with both hips, not using the pelvic tilt.

Hip circle vertical - one hip only, using the hip lift to circle forward, down & up, create a complete one hipped circle.

Hip loop - is one loop of the outside or inside eights.


FIGURE EIGHTS

Inside eights - pretend you are drawing a figure eight with each hip inwards towards your tummy. A very sensuous & expressive movement.

Outside eights - pretend you are drawing a figure outwards towards your back side.

Over eights (Maya) - lifting hip to take hip out than loop slightly under. Or lift hip & vertically form a loop. Repeat on other side. An absolutely fabulous movement to untighten hips & a fabulous movement to watch.

Under eights (sway)- drop hip to go under, than out & lift over towards your navel (forming a vertical loop that rolls towards your belly button. Alternate hips to create a swaying movement). Again this will give more freedom & flexibility to your hips.

The Subtle Egyptian Eights - Often these movement are subtle & small. When they appear larger they than become a hip loop our or in with occasional larger emphasis.

Egyptian shallow eights - (� pelvic circles)- in or out - from your pelvis area start to loop in (or out) forming a � circle (or � loop). As a beginner think of it as a � of a pelvic circle, This will make more sense to you, as often the pelvic circle follows. As an advanced student you can view it as a � of an eight.

Egyptian eight - in or out - from your pelvic area complete a full loop, than do the same with the other hip thus forming a figure eight.


BELLY MOVEMENTS

These terms will be described in future updates

Pull ins & ups
Belly rolls & reverse
Rounding your back


BACK

Back leans & accenting
Counter lever back lean


FEET & LEGS

Knee lifts
Leading foot
Foot in front & behind
Dancing feet posture
Stepping forward & backwards
Stepping around
Turns
Toe circles
Toe taps
Leg Toe stretches
Heel raised or heel down.

Lower Undulations
Full body undulations
Reverse rib undulations
Reverse pelvic undulations
Reverse full body undulation
Camel walk
Cat stretches
Side leans & stretches
Snaking the body


HEAD MOVEMENTS

Head slide
Circling the head
Look to right & left
Look over shoulder
Chin down & up
Eyes follow hands

STEPS - TURNS & WALKS

Central step
� time
2's
3 step turns
Egyptian spins
Lebanese Spins
Walks in � time, single time, double time
Walking the eight
Step Point

VEIL

Moth walk & spins
Butterfly walk & spin
Windmill Spin
Waterfall Spin
The Rose
Walking the eight
Butterfly floating
Moth drapes
Face cameo
Cameo
Stepping over the veil (cameo)
Diamond
Cobra coil swirls
Magic circle - learning to spin without giddiness
Swirling
Presenting the veil

STICK DANCING

Full hand holding - suitable for small spaces
Open hold - for large spaces
Twirling
Twisting the figure eight
Display
Rhythmically swinging

HEAR & FEEL

Hear & feel the music, recognizing the feelings & emotions that certain instruments evoke
Alternating from beat to melody
Allowing your emotions to flow
As you advance in knowledge you would be taught when to smile
Adding interest & building personality


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